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Ubu Roi

Sale price$1.00

From the Mother Tongue Subversion & Charm collection.

Nominated by Writer, Researcher & Language Scholar
Eva Barbarossa

"Absurdist spell against authority; grotesque as linguistic revolution." 

When it first opened in Paris in late 1896, Ubu Roi immediately outraged audiences with its scatological references and surrealist style. Spectators rioted during the premiere (and final) performance and unrelenting controversy over the play's meaning followed. The quality and stunning impact of the work, however, was never questioned.

Early drafts of the play were written by Jarry in his teens to ridicule one of his teachers. The farce was done in the form of stylized burlesque, satirizing the tendency of the successful bourgeois to abuse his authority and become irresponsibly complacent. Ubu — the cruel, gluttonous, and grotesque main character (the author's metaphor for modern man) — anticipated characteristics of the Dada movement. In the 1920s, Dadaists and Surrealists championed the play, recognizing Ubu Roi as the first absurdist drama.


Borrow, share, exchange as you wish, and return by the end of the season on February 6th. Pick up at the gallery anytime, and return and swap for a new book of your choosing. To our global friends - online borrowing is possible, just pay for the shipping there and back. 

The Mother Tongue Library is a love letter to the thinkers, writers, and artists who’ve given us the language of courage when we needed it most.